Jacob Collier’s The Light For Days – A Stripped-Down, Intimate Journey

Seven-time GRAMMY® winner Jacob Collier has announced his new studio album, The Light For Days, which is out today, October 10th. This record is a bold creative departure, serving as his first major project since concluding the epic Djesse series. Having previously embraced an expansive soundworld with hundreds of instruments and collaborators, this album is a focused, acoustic collection centered around a single instrument: the guitar. But not just any guitar.  He decided to explore his 5-string and 10-string signature Taylor acoustic guitars more fully than ever before while on a brief trip home to his music room in London. The album was recorded and produced in only four days. The Light For Days captures Collier at his most immediate and intimate, offering a raw, pure look at the artist that most have never seen before.

At an exclusive pre-release listening party, with some of his biggest fans, friends and family, Collier shared that he set himself the challenge of making a full-length album using almost entirely the five-stringed guitar in just four days, something he had always wanted to try in his career, a constraint that forced him to trust the process. He joked that the album's title, The Light For Days, is a fitting double-entendre, referencing the four-day timeline of its creation. The collection features eleven tracks: six new original compositions alongside five masterful covers of songs from artists he admires from James Taylor, John Martyn, The Beatles, The Staves, and The Beach Boys.

The 11-song tracklist is a coherent, deeply emotional experience, with consistent themes of "light" running through the acoustic soundscape. The album opens with the beautiful James Taylor cover, “You Can Close Your Eyes”, where the opening lyric about the sun setting and the night beginning provides a perfect thematic entry point. Collier’s rendition includes a nostalgic, country-like guitar solo towards the end. This tone of warmth is carried through his original songs, including “Heaven (Butterflies)” and the previously released single “I Know (A Little)”, which features the vocal ad-libs and layering that feel classic to Collier.

The acoustic setting allows the emotion of the songwriting, whether original or covered, to shine through. Tracks like “Fairytale Lullaby” by John Martyn and The Beatles' reimagined “Norwegian Wood” showcase Collier's impressive, versatile guitar playing, achieving different textures and sounds, through alternate guitar playing techniques. The emotional heart of the album is palpable in tracks such as the deeply personal “Icarus,” a cover of The Staves that he performed with the group live at the listening event. The album concludes with Collier's original “Something Heavy,” the one track that introduces some piano alongside the guitar, giving a feeling of the light returning on the horizon. The entire tracklist, regardless of its original source, feels organically tied together, making for a very cohesive and heartwarming listen.

The Light For Days marks a clear shift in focus from the densely layered, maximalist sound of Djesse. Having previously stretched the limits of production and collaboration, this album is a refreshing exploration of a raw, simplified acoustic style. The change in approach feels like a return to the powerful, intimate solo performances that have defined moments of his live career. For longtime fans familiar with them, the record carries a profound sense of comfort. For listeners new to this side of his work, it is a powerful demonstration of the vocal and creative depth that has earned him seven GRAMMY® wins. Collier’s ethos, "don’t be cool, be warm," perfectly captures the emotional core of the album. It’s a perfect listen for a quiet evening, radiating a deep, sincere warmth that highlights a new, distinct direction for the artist, proving that simplicity is often the greatest strength.

Article By Inês Barny