LAMBERT SHARES NEW SINGLE + VIDEO‘TO THE BONE’ FEAT. GRAND OX
NEW LP FALSE Featuring 14 Collaborations Out JAN 29th
“Are you stumbling under life’s plough? Feeling the cart heavy upon your shoulders? Then try: Bovacine.
A balanced blend of prime oxen osseous matter and cattle cartilage, Bovacine twice daily capsules overwhelms your immune system with that beefy boost the doctor didn’t order.
Bovacine. Give your body the strength of the Ox, right down - to the bone”, Lambert declares in the latest Lambcast episode, the series of podcasts which accompany the release of his forthcoming album.
‘To The Bone’ feat. Grand Ox, is taken from from Berlin-based composer and pianist Lambert’s extraordinary new album False, which is set to be released on Jan 29th 2021 by Mercury KX.
“False has given me the freedom to develop myself artistically in all kinds of directions,” Lambert explains. “I can now go anywhere.”
All 14 tracks on the album are collaborations, resulting in Lambert’s most dazzlingly diverse record yet. Encompassing urgent breakbeats (with Tre B Mal), furious freeform jazz (aided by Pernille Solberg), gliding pedal steel Americana (from both Bob Drew and Jean Daeriou), industrial soundscapes (via Cole Collective) and even, on Room Trail collaboration ‘Spheres’, a full-on Autotuned vocal pop workout.
To learn more of the album’s collaborators’ identity it’s recommended to view the short documentary Becoming Lambert by film director Tom Oxenham (watch it here) or listen to the forthcoming 10-part podcast series which will accompany False. Each episode acts as a companion to a specific track from the album ‘False’, the story inspired by and featuring Lambert’s music.
Whatever the truth, Mercury KX has awarded record contracts to all 14 new artists and the result is an album that is wildly imaginative. False follows hot on the heels of Lambert’s stunning True album of last year, and his recent EP of exquisite solo piano pieces Alone II.
Lambert is a singular talent whose bold vision and compositional flair is informed as much by pop music and wider culture as it is by any classical repertoire. From 2017’s stunning Sweet Apocalypse, a masterful collection of orchestral works concerned with locating moments of beauty amid the dystopian future humanity is fast racing towards, to last year’s acclaimed True album (nominated for an Opus Klassik award in Germany) and the haunting, delicate Alone and Alone II EPs, Lambert has created his own, spellbinding sonic language that stirs the soul and inspires the mind. In parallel Lambert’s live shows have become essential events, evenings of mystique, humour and wonder as Lambert’s trio’s dazzling musicianship is performed while wearing matching horned Sardinian masks. By turns hypnotic, sombre, and enchanting, he excels at creating moods and mesmerising the listener; a deep sense of drama often gives way to an enigmatic playfulness, colourful melodies skipping lightly through his songs.