Dermot Kennedy’s Raw, Triumphant Triumph at L'Olympia, Paris
- May 29
- 2 min read

There is a distinct kind of magic that happens when a gritty, open-hearted Irish troubadour steps onto a historic French stage. Last Monday night, Dublin singer-songwriter Dermot Kennedy brought his highly anticipated The Weight of the Woods tour to L’Olympia in Paris, turning the iconic, red-velvet clad venue into a cathedral of collective catharsis. Standing beneath the famous glowing red facade on the Boulevard des Capucines, a beautifully diverse crowd gathered not just to listen to live music, but to feel it on a cellular level.
From the second Kennedy stepped out from a shroud of stage smoke, it was clear that Paris was about to witness a masterclass in modern, emotionally charged storytelling.
The evening was a flawless marriage of contrasts. Backed by a razor-sharp band, Kennedy’s performance style remains a thrilling anomaly, blending the poetic, acoustic weight of traditional folk with the heavy, booming rhythmic pulses of hip-hop and electronic production. Opening the night with the searing intensity of his newest material, his voice immediately filled every corner of the room. It is a spectacular instrument, capable of delivering raw, gravelly bursts of vocal power that shake the rafters, only to drop down to a fragile, piano-led whisper in the very next breath.

"Paris has a way of making everything feel a bit more poetic," Kennedy told the crowd midway through the set, a rare but deeply sincere moment of crowd interaction. "To be singing these songs in a room with this much history is something I’ll never take for granted."
As the setlist progressed, the audience was treated to a masterful pacing of old and new. Early hits like "Power Over Me" and "Outnumbered" ignited massive, room-wide sing-alongs, with the Parisian crowd matching Kennedy's soaring choruses note for note. But it was the quieter, stripped-back moments that truly define his live presence. Standing alone under a single, sharp spotlight with nothing but an acoustic guitar, his performance of "After Rain" drew a reverent, pin-drop silence from the usually boisterous crowd.
What makes Kennedy such a captivating performer is his "terrifying level of sincerity." There are no cheap gimmicks or over-the-top stage theatrics here. Instead, the production relied on striking, cinematic lighting that mirrored the emotional arc of the music, shifting from moody, atmospheric shadows during the folk-leaning verses to bright, explosive strobes as the electronic beats dropped. By the time he closed the night with a thunderous, heart-shattering rendition of "Funeral" the energy in L’Olympia had reached a fever pitch. Leaving the stage to a deafening, minutes-long standing ovation, Dermot Kennedy didn't just conquer Paris for a night, he left an indelible mark on one of its most historic stages.




What a stunning review! "A gritty, open-hearted Irish troubadour on a historic French stage" — that's the kind of description that makes you wish you were there. The blend of folk and electronic production, the voice that can roar or whisper, and a pin-drop silence during "After Rain" at a usually loud venue? Pure magic. On a completely different note, if you're curious about what a secondary school in the UK is doing these days, https://heanorgate.org.uk/ has some interesting updates — student elections, Christmas concerts, and more. Thanks for sharing this, Darkus